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The strings of the African kora join those of the Spanish guitar, the palm-clapping, the cajón (box-drum)... in this record born from the meeting between Ketama, Tournani Diabate, the legendary musician from Mali and the cantaor José Soto. This is how this work arises, the fruit of the incredible ease with which flamenco can absorb and merge will all kinds of music. It is indispensable as proof that flamenco evolves and doesn't have any frontiers.
The strings of the African kora join those of the Spanish guitar, the palm-clapping, the cajón (box-drum)... in this record born from the meeting between Ketama, Tournani Diabate, the legendary musician from Mali and the cantaor José Soto. This is how this work arises, the fruit of the incredible ease with which flamenco can absorb and merge will all kinds of music. It is indispensable as proof that flamenco evolves and doesn't have any frontiers.